Page 38 of Ruined By Moreau

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"The Nardini family," he said.

The name landed in the room and sat there.

"Victor Salas has been positioning himself for two years as the bridge between New Orleans and the Nardini organization in New York," he said. "The largest single crime network on the East Coast. If he can deliver them a Southern port, stable, established, with existing infrastructure, the alliance he gets in return is worth more than anything he currently has in Houston." He paused. "If Salas controls New Orleans, the Nardinis control the coast. The pressure that creates on every other organization operating in this region is, significant."

I looked at the card on the desk.

A different perspective. He had come here not to introduce himself. He had come here to see what I knew and what I was, and to leave me a door in case I decided I wanted to use it.

"He thinks I'm leverage," I said.

"You are leverage." Dominic said it without apology, which I'd requested, and without comfort, which I hadn't. "You've always been leverage. The question is in which direction."

I looked at him across the desk, across the maps with their marked routes, across the nine years of organized truth on my shelf upstairs.

"Then we should probably," I said carefully, "make sure it's the right one."

He looked at me for a long moment.

"Yes," he said. "We should."

* * *

Chapter 14: What He Does at Night

I woke at two in the morning to voices.

Not the ambient sound of a house settling into its overnight quiet, I'd learned those sounds over two weeks, the particular vocabulary of old wood and old pipes, the way the house spoke to itself in the deepest hours of the night. This was different. This was below me and outside, muffled by the garden and the closed windows but present in the specific way of conversation being held at a volume intended to contain itself.

I lay still for a moment. Listened.

Men's voices. Two, possibly three. Low and tight, with the particular economy of an exchange where the content mattered and the time available for it did not. I couldn't make out words. I could make out register, the specific tone of people delivering information that was not good, and receiving it with the controlled stillness of someone who had learned not to let urgency show.

I got up.

I didn't plan to. I was simply at the window before I'd made a decision about it, looking down into the garden where the post light was on and casting its familiar circle, and below me, at the edge of the formal section near the stone bench, there were three people.

Dominic. And two men I'd seen once before, briefly, at the edges of the Vauclain dinner, his, in the way that certain peoplewere legibly someone's, their presence organized around the person they reported to. They were both in dark clothing and neither of them had the look of people who had planned to be here at two in the morning. They had the look of people who had come because they had to.

The conversation was in French.

I'd studied it for two years in high school and retained approximately thirty percent, enough to read menus and understand the gist of simple exchanges, not enough to follow rapid, compressed conversation between people for whom it was a private language. I watched more than I listened, trying to read the shape of it from posture and pace.

One of the men was doing most of the talking. He held himself with the particular tension of someone delivering a report they'd rather not be delivering, weight forward, hands moving in small controlled gestures. The other stood slightly back, arms crossed, face turned down.

I caught fragments. Il est en vie, he's alive, which meant someone was hurt. Il a parlé, he talked, which meant someone had said something they shouldn't have. And one phrase that came through cleanly, with the specific quality of a proper noun: les Salas, delivered with a flatness that was its own kind of emphasis.

Someone had been hurt. Someone had given information. And the name at the end of the chain was Salas.

Dominic listened without interrupting. When the man stopped talking he asked two questions, short, direct, in the same low register, and received brief answers to each. Then he was quiet for a moment. Just stood there.

He said something I couldn't hear at all. The two men nodded. And then they left the way they'd apparently come, through the garden gate that connected to the back lane, which I had mapped in my first week and which now toldme something about how the household operated that Henri's careful management had been designed not to make visible.

Dominic didn't move when they left.

He stood in the circle of the post light with his hands in his pockets and his face turned toward the magnolias, the same posture as that first morning in the garden, but different in the specific way that the same position meant different things in different conditions. That morning had been a man sitting with something old and settled, the long relationship with a place and the quiet of a particular hour. This was a man standing with something new and sharp, the weight of recent news that hadn't yet found its place.

He was holding something I couldn't see.