Page 46 of Night of Vows

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Now it's a command center. Nico's operational maps cover the kitchen island where we had breakfast. His phone hasn't stopped. Greek, English, the rapid-fire cadence of a man coordinating a war he didn't start but intends to finish. Lex has been in and out four times, each visit shorter, each departure more urgent. Cormac called. I heard my brother's voice through the phone, the particular volume that means someone is going to bleed and the only question is who.

The man who washed my hair this morning is gone. In his place is the version of Nico I've only seen in flashes. The phone call in the dark kitchen, the shift after Viktor's video, the transformation so complete I felt the temperature drop from across the room. This version is cold. Focused. Lethal in a way the tender version obscures but never eliminates. They're the same man. I knew that before the hallway. I know it better now.

I sit at the island with my laptop and take a client call because Ward Risk Advisory doesn't close for criminal emergencies, and I refuse to let a man I've never met decide whether I do my job. The cybersecurity CEO is three sentences into his quarterly review when I catch myself mapping Viktor's surveillance capability instead of listening.

The photograph.My face. 11:07pm. The angle from across the street, corner unit, second or third floor. I've advised clients on physical security assessments for four years. The lens elevation suggests a tripod mount, the resolution implies professional-grade equipment, the timestamp means someone was positioned and waiting before I left my room. Viktor didn't get lucky. He knew I'd be walking through that lobby. Which means he's watching patterns, not just locations. Which means the security rotation Nico designed is compromised at the observation level, even if not at the access level.

I file this. I'll bring it to Nico when he surfaces from war mode. If he surfaces.

The CEO is asking about endpoint security, and I give him an answer that sounds professional and attentive and costs me nothing because my brain is running two operating systems simultaneously: the consultant who advises corporations, and the woman whose face was in a surveillance photograph twelve hours ago.

* * *

Three days pass. Each one tighter than the last.

Day one. I try to run. My usual route. Three miles through Back Bay, two guards at twenty paces, the negotiated loop I fought for in the first week of this marriage. I make it four blocks before I spot the black sedan in the side mirror of a parked car. It matches my pace exactly. Not following. Pacing. The distinction matters: following is reactive, pacing is deliberate. Whoever is driving knows my route before I run it.

I stop. Turn. The sedan idles for three seconds. Then pulls away. Unhurried. A man walking past a cage to check that the animal is still inside.

The runs stop after that. I pace the penthouse instead and feel the walls close.

Day two, an envelope arrives at Elysium during a family meeting I'm not invited to. Nico tells me about it afterward, which is an improvement over not telling me at all. Inside: a photograph of me from the wedding, a different angle from the first message in October. I'm walking down the aisle at St. Demetrios. Alone. The photographer caught the moment my chin lifted. The defiance, the refusal to be led. On the back, in careful deliberate strokes, the pen pressed hard enough to ridge the paper: ?????.

Soon.

The handwriting is precise. Controlled. The penmanship of a man who writes threats the way other people write dinner invitations. I think about Viktor's voice from the video Nico received in the kitchen. Cultured. Pleasant. Conversational. The handwriting matches. Elegant violence. That's what this man trades in.

Day three, Nico's phone rings at 4am. I'm in his bed — our bed now — and he goes rigid beside me before he answers. The conversation is brief. Greek. I catch fragments: a name, a location in Southie, the word for dead.

He hangs up. Sits on the edge of the bed. Doesn't speak.

"Who?"

"Andreas." His voice is flat. The name means nothing to me and everything to him. "He guarded the east entrance. Twenty-six years old. His mother lives in Astoria."

"Viktor?"

"His tongue was removed. That's the signature."

I sit up. Put my hand on his back. The muscles beneath my palm are locked. Steel cables under skin. He doesn't lean into the touch. Doesn't pull away. Holds still while the weight of another dead man settles onto shoulders that carry too many.

I don't say "I'm sorry." Sorry is for people who can't do anything. I file the name instead. Andreas. Twenty-six. East entrance. Astoria. If I'm going to live in this world, I'm going to know the names of the people who die in it.

Each escalation tightens the cage. The sedan. The photograph. Andreas. My world shrinks: penthouse, penthouse, penthouse. The client calls get harder. I'm advising a healthcare startup on crisis management from inside a crisis, and the irony would be funny if it weren't suffocating. I cancel two in-person meetings. I miss a deadline for the first time in four years. Ward Risk Advisory is suffering because its founder is a target, and the professional pride that built that firm from nothing burns hotter than the fear.

I'm not afraid. I'm furious.

The anger builds the way my anger always builds. Not hot, not explosive. Cold. Structural. The anger that made me stand in Elysium and say "I'll do it. On my terms." The anger that walked me down the aisle alone. The anger of a woman who has spenther entire life being moved by men. Her father. Cormac. Now Viktor. A woman who will burn the whole system down before she's moved again.

I channel it.

Evening of day three, Nico is at his desk in the bedroom. Operational maps on the screen. Phone facedown. The Beretta that usually lives on the nightstand is in his hand, disassembled, being cleaned with the precise, habitual motions of a man who maintains his weapons the way other people brush their teeth. He hasn't slept properly in three days. He's eaten when I've put food in front of him and not otherwise.

I stand in the doorway.

"Teach me to shoot."

His hands still on the gun. He looks up and I watch the request land. See him recalculate me in real time the way he recalculated when I identified the tonnage discrepancy, the way he recalculated when I walked into the warehouse and didn't flinch.