Page 13 of Hat Trick

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This was the most perceptive observation Cole had ever made about Jonah in my hearing, and it struck with the force of a truth I had known intuitively but had never heard articulated. Jonah forgot to want for himself. He was so busy being the support system, the emotional center, the man who set tables and stocked refrigerators and bought reading lamps, that his own wants got filed under "not urgent" and stayed there indefinitely.

"Yeah," I said. "He does forget."

Cole clapped my shoulder and went back to Mik, and I stood at the bar and watched Jonah excuse himself from the blonde woman with a smile that was warm and polite and professional and contained absolutely none of the electricity that his smile contained when he looked at me.

Or maybe I was projecting. Maybe the electricity was a fiction I was building because fiction was easier than fact, and the fact was that Ren Briggs, who had dated women exclusively for his entire adult life, was standing at a bar in a suit watching his brother's best friend talk to a beautiful woman and feeling something that could not be explained by any framework he currently possessed.

That night, in the guest room, I opened my laptop and typed into Google: "can you be attracted to your friend."

The results were extensive and resonant. Articles about emotional intimacy that evolves into physical attraction. Reddit threads with thousands of responses from people describing trajectories that matched mine with unsettling precision. A quiz titled "Is It Just Friendship?" that I took and scored "very likely more than friends" on and then deleted from my browser history with the panicked efficiency of a man destroying evidence.

I took the quiz again. Same score. Deleted it again.

I opened a new tab. Typed: "how do you know if you're attracted to a man."

The results were different. Deeper. More frightening, not because the content was shocking but because the content was familiar. Story after story of people who had spent years in relationships with one gender and then encountered a specific person of another gender and had their entire operating system crash and rebuild around the encounter. Not a general shift in orientation. A specific person. One face. One voice. One particular way of existing in the world that made every previousrelationship feel like a rough draft of something that had just been published.

I closed the laptop. Stared at the wall. The wall offered no insight.

The next morning, at the kitchen counter, shoulder to shoulder with Jonah, coffee between us, the light coming through the window making the apartment glow with the particular Atlanta morning warmth that I had come to associate with the beginning of every day of this new life.

I looked at him. Not at his coffee or his phone or the space around him. At him. His profile. The line of his jaw. The way his hair fell across his forehead when he hadn't styled it yet. The warmth of his skin visible at the open collar of his t-shirt. The way his hands wrapped around his mug with a gentleness that contradicted the strength in them.

I looked at him and I thought the thought that had been assembling itself for a decade, brick by brick, in the architecture of my subconscious, and that had finally, in this kitchen, in this light, with this man three feet away, completed construction and risen into full, undeniable, terrifying visibility.

What if every relationship that didn't work out happened because I was looking in the wrong direction?

What if the direction was three feet to my right, where a man with warm brown eyes and a terrible guitar and a reading lamp purchased on the basis of a Thanksgiving sentence was drinking coffee and being oblivious to the fact that he was the answer to every question I had ever asked about why nothing else had ever worked?

The thought was a grenade with the pin pulled. I held it. I didn't throw it. The timer was running and the detonation was coming whether I threw it or not, and the only choice was where to stand when it went off.

I stood at the counter. Jonah drank his coffee. The morning continued.

But the pin was out. And the morning light was making everything visible. And the man beside me smelled like home.

One more day, I told myself. One more day of holding the grenade.

But the hand was getting tired. And the heart was getting loud. And the dock, which I had not thought about in years, was suddenly as clear in my memory as if I were standing on it right now, fourteen years old, looking at a sixteen-year-old boy who was looking at me in a way I didn't understand.

I understood now.

God help me, I understood.

-e

JONAH

It happened on a Wednesday night, on a couch, during a movie neither of us was watching, and the ordinariness of the setting was the most honest thing about it. The most important moments of my life have always happened in mundane places. Not stadiums or stages or anywhere designed for significance. Kitchens. Parking lots. The middle of a sentence. A couch in Midtown Atlanta, at 10:47 PM, while a car exploded on the television and neither of us flinched because we were both occupied by something more immediate than fictional detonation.

Ren's feet were touching mine.

This was the culmination of a weeks-long territorial negotiation conducted entirely through cushion geography. Every evening on the couch, the distance between us had closed by some fractional increment. His end. My end. The vast middle that had started as neutral territory and had been gradually, silently annexed by the gravitational drift of two bodies pretending they weren't aware of each other's exact coordinates.

Tonight, the middle was gone. His socked feet pressed against mine and the contact was not accidental. It was adecision made at the level of the body, where decisions are honest because the body doesn't know how to lie.

I was not breathing. This is an exaggeration but only slightly. My breathing had become shallow and controlled in the way that breathing becomes when you are acutely aware that the person you have loved for ten years is touching you and the touch is deliberate and the deliberateness changes everything.

Ren turned to say something. A complaint about the movie's physics, probably. He had a running commentary on action films that was more entertaining than the films themselves, his analytical brain treating plot holes the way it treated defensive breakdowns, with precision and mild contempt.